Caldwell Chameleon Lenses

Caldwell Chameleon Lenses

Caldwell Chameleon Lenses The Caldwell Chameleon Anamorphics are small lightweight and compact with the classic blue flare and characteristics that one would expect from classic anamorphic. The 1.79x anamorphic squeeze ratio is the perfect balance of anamorphic look...
Laowa 24mm f/14 2X Macro Probe lens

Laowa 24mm f/14 2X Macro Probe lens

Laowa 24mm f/14 2X Macro Probe lens The Laowa 24mm f/14 2X Macro Probe lens – PL MOUNT  that covers Full Frame is one of the weirdest lenses on the market but is able to create perspectives which are simply not possible with other existing lenses. Suitable for...
Arri Signature Primes

Arri Signature Primes

Arri Signature Primes With Roger Deakins choosing to shoot 1917 on Alexa Mini LF with signature primes we knew that this would be great set of lenses to have at Onestop.  Arri Signature Prime offers a wide focal range with 1.8 aperture. The ARRI Signature Prime range...
Century Super-Wide Low-Angle Prism

Century Super-Wide Low-Angle Prism

Century Super-Wide Low-Angle Prism How low can you go? The Century Super-Wide Low-Angle Prism allows for shooting down to a point of view of 2.5” off the floor and supports lenses as wide as 16mm. It couples directly to standard bridgeplate rods and accepts two...
Kilfitt 90mm Macro

Kilfitt 90mm Macro

Kilfitt 90mm Macro The 90mm Makro-Kilar was the second macro produced by Kilfitt. The first was the 40mm which we also house here at One Stop Films. The 40mm Macro only covered the format of 35mm cameras. For the 90mm Macro, the medium format Makro-Kilar, they chose a...
Kilfitt 40mm Macro

Kilfitt 40mm Macro

Kilfitt 40mm Macro The Kilfitt 40mm Macro is the first Makro-Kilar produced by Kilfitt, the second being the 90mm. Both the 40mm and the 90mm macros have a very unique double circular bokeh. The 40mm Makro-Kilar was originally designed for 35mm cameras when the...