These lenses have a really distinct and individual triangular bokeh with a slight vintage quality. They have a nice softness to them and a flatter contrast to the later versions. A great set of lenses for lower budget productions that want a distinctive look with a super fast aperture of T1.4.
They are lightweight and small, for MoVi or handheld shoots they are a dream.
The streets of New York at night in 1976. DOP Michael Chapman shot one of Scorsese’s masterpieces, ‘Taxi Driver’ on a set of Mk1 Super Speeds capturing the gritty, raw and edgy character of NYC at night beautifully.
Standard Set Includes:
— 18mm, 25mm, 35mm, 50mm, 85mm
MM | Speed | Weight | Close Focus | Length | Front Diameter |
---|---|---|---|---|---|
18 | T1.4 | 1.056kg | 10' | 120mm | 80mm |
25 | T1.4 | 664g | 10' | 90mm | 80mm |
35 | T1.4 | 646g | 14' | 90mm | 80mm |
50 | T1.4 | 537g | 2.5" | 90mm | 80mm |
85 | T1.4 | 723g | 3.5" | 90mm | 80mm |
These lenses have a really distinct and individual triangular bokeh with a slight vintage quality. They have a nice softness to them and a flatter contrast to the later versions. A great set of lenses for lower budget productions that want a distinctive look with a super fast aperture of T1.4.
They are lightweight and small, for MoVi or handheld shoots they are a dream.
The streets of New York at night in 1976. DOP Michael Chapman shot one of Scorsese’s masterpieces, ‘Taxi Driver’ on a set of Mk1 Super Speeds capturing the gritty, raw and edgy character of NYC at night beautifully.
Standard Set Includes:
— 18mm, 25mm, 35mm, 50mm, 85mm
MM | Speed | Weight | Close Focus | Length | Front Diameter |
---|---|---|---|---|---|
18 | T1.4 | 1.056kg | 10' | 120mm | 80mm |
25 | T1.4 | 664g | 10' | 90mm | 80mm |
35 | T1.4 | 646g | 14' | 90mm | 80mm |
50 | T1.4 | 537g | 2.5" | 90mm | 80mm |
85 | T1.4 | 723g | 3.5" | 90mm | 80mm |