Sony Venice 6k FF

Venice is a cinema camera created for the cinematographer, it is equipped with a full frame image sensor.

The Venice has a base iso of 500 to provide the optimal dynamic range for typical cinematography with on set lights. It also has a secondary High base Iso of 2500 which excels in low light.High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly-lit environments. Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISOs while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.

VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading.

VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for the demands and performance of high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032*. By switching imager modes, VENICE can natively support Super35 24.9×18.7mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.9×14.0mm 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 anamorphic and spherical and full-frame 24mm-height anamorphic and spherical*. Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame* or Super35.

VENICE is the world’s first camera of its class with a servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis. It offers a massive ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The ND filters also greatly increase VENICE’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.


Full Frame Sensor 24×36 mm

Painterly Look

6K Full Frame 6048 x 4032 maximum resolution

4K Super35 window

Full Frame, full 6048 photosite width of the sensor

Widescreen spherical 2.39:1 or Large Format ‘Scope

Super35 full height 2.0x squeeze Anamorphic

8-Step, 8-Stop Internal NDs

PL and Ruggedized E-mount

Spherical FF & S35

Anamorphic FF & S35

15+ Stops of Exposure Latitude

Native ISO 500  (maybe 800)

Retains highlights and color detail 6 stops overexposed and 9 stops into the shadows

Power:  both 12 VDC and 24 VDC